One thing of significant importance is to look for inspiration outside of guitars, guitar playing and guitar players. How will I tackle the arpeggio formations of Paganini or Wieniawski? Is Blumenfeld, Henselt or Alkan playable on our instrument and how? How can I duplicate piano, violin or vocal ornamentation? All of these questions are valid and will arise as you broaden your musical intake, especially if you attempt to translate the language onto the guitar.
I'll explain each example in sequence and try to simplify their hazards. They expand in length and laboriousness toward the end; the last two are 32 note patterns! Don't mind the time signatures of 22/16 and 32/16, they were implemented to force perfect repeats in GuitarPro. I implore you to make use of any information imparted here, no matter how small. Take what you need and shed what you do not.
Etude exercise:
